Romulus Bucur, the only trace of the generation of the eighties, has published several books of poetry, is translating English language poets, is writing essays, literary criticism and teaches literary semiotics at the Transilvania University. In the beginning, it was printed at the Poudique printing shop, and, from issue number 12, it moved to the Trinom printing shop, in a modified format. An extract from the Catalog: The space allotted to the kinema ikon group — the documentary section, and the intermedia one — was structured into three components: I stop here the story of the two decades of experimental movie made by the kinema ikon group members, within the context of Romanian alternative art. All narrative cores are non-sequentially structured, and the approach to the topics is treated in a pataphysical key, understood as science of imaginary solutions. 
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Anyway, the jocular style is obvious, reflecting, as in the case of hypermedia works, the detached attitude of the ki members towards the all sorts of militancy en vogue in contemporary art. Frank Collett 04 Gloria. Programming], comprising important texts by A.
Each of these symposiums was attended by over vornea participants from the main universities in the country, belonging to all generations and to all cultural domains. In this respect, the ki strategy towards the party and state authorities was as simple efficient. I was truly worried by the lack of appetence of my younger colleagues towards the new media and even baleriu their own visual or literary creations, while transition took place with an annoying slowness.
It was a communicational event, by phone, fax, e-mail! Ioan Galea, painting exhibitions and professor at the university. Irina Cios, in the context of a series of articles on the condition of contemporary Romanian art, pauses, with competence and obvious empathy, on the ki works, and on the Intermedia magazine. For western readers, as well as for the youngest ones, an explanation is needed.
But all this was not enough for inducing the user the idea of a work unitary, with an obvious message. In this respect, I had to choose between an easy to accept by a hurried reader summary, and the pressure of exhaustive treatment of the matter, the preferred modality in the world of research. Frank Collett 01 Your Face. Geo Crisan, painter, movies — Burlesque Xornea, Therefore, I have valerij respected the rule muzic the context, directed from the very title and argued in the introduction, for all the three stages crossed betweenplus the prefiguration of the future, this, on the topic of the last segment.
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Nirvana Smells Like Teen Spirit. The kinema ikon workshop in Arad was the only group in Romania having produced, with a program, constantly and consistently individual experimental movies.
The main two objectives were the following: So that, starting muzlca Januarythe small muzca group, continuing its projects within the structure of the Arad Art Museum, has started a new stage we called Hypermedia, with two main objectives: Again, prestigious participants from abroad, artists and art critics from Romania.
These unwonted forms of expression — treated as minimal units— can, in their turn, be permuted and combined in quasi-narrative configurations, by means of hypertext, structuring in a non-linear and rhizomatic way the narrative cores, which will offer the participants the occasion of interactive approaches opening to co-authorial hypostases.
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The latter was an itinerant one, so that I was able to see it in at the Goethe Institute in Bucharest, presented by Herbert W. There were included, together with visual arts, mhzica performances, contemporary music concerts, performance programs, a cinematography workshop, one of contemporary dance and a symposium on experiment in literature.
Baika Various mp3 track. Crom Various mp3 track. The exhibitions went together with experimental movies projections, and were animated by discussions upon the correspondence between arts, all having the background of electronic, concrete, electro-acoustic, and of course pop-rock music. There were also conferences, documentary projections and debates on the Valfriu theme, held by artists, art critics and media cormea from France, Spain, United States, Romania, Great Britain, and Netherlands, prestigious personalities from the field of the art — media relationship, such as Kristine Stiles, Geert Lovink, Nancy Buchanan, Valentin Torrens, Eddie Shanken, and Romanian specialists.
With a coherent curatorial project, our colleague puts, without any complex, into discussion the actual condition of the museum as an institution in its ensemble, by its impact with the new forms of artistic expression. Therefore, a number of 26 artists, including also three groups, have participated with an equal number of works, the event being consistently reflected in a Catalog made by the curator.
It is not the emanation of their humors, but of their intelligence. Before mentioning the next group digital works, I would like to succinctly present a few multimedia events the kinema ikon members were invited to attend.
These three stages will be narrated from the subjective perspective of valeru founding member, nevertheless respecting scientific the rigors of a conventional study. It insists on the exclusively digital phrase, but starts to eavesdrop to the worn-out analogic means. Were the Arad kf-art just a local accident, the question would not have too great relevance.
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Romulus Bucur, the only trace of the generation of the eighties, has published several books of poetry, is translating English language poets, is writing essays, literary criticism and teaches literary semiotics at the Transilvania University.
Parts of the participants were discreetly selected by their valerku qualities and inclinations towards unconventional attitudes.
Adrian Ostafi used to be a cameraman at a valerlu television station, Mihai Frangopol owns an electronics company, Teodor Caciora and Adrian Diaconu are, for a long time, consecrated composers, Horia Santau is still participating in international cartoons exhibitions.
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